I recently heard the sad news that installation artist & experimental musician Mike Kelley died earlier this week from an apparent suicide. He was a true creative spirit, whom I had the pleasure of working with for The Wire magazine a good few years ago, and i have to say it produced one of my favorite environmental portraits to date (above left). Mike was a fascinating guy to spend the afternoon with, his home choc-a-bloc with a massive vinyl collection amongst other things. Something you just don’t see anymore. I know he is missed by his family and i send my deepest condolences.

I recently had an interesting assignment for The Times of London saturday magazine, to enter a world unlike any other; where seemingly normal people played out there fantasies….as fantasy characters, and danced in a dance- off…..yes, a fantasy dance-off. Blizzcon is the annual ‘festival’ of Blizzard Entertainment, creators of the video game ‘world of warcraft’ and it’s like Vegas meets toysrus on steroids. Vegas because the three huge conference arenas are dark, packed and endlessly huge, lit only by the glow of thousands of computer screens reflected off expressionless faces staring into oblivion.

But this is the kind of assignment i do enjoy. Where you can literally slip un-noticed into someone else’s world. Observe, capture, document. And with the subjects being so immersed in their own goings on, you can simply shoot and think creatively, without anyone bothering you, or asking questions. I love just being able to roam unfettered. But i have to say, the costumes some of these people created…..quite unbelieveable, they literally shoot themselves. So thank you, made my life easier!

Ryan Reynolds & Jason Bateman shot for Empire magazine

This is a story i shot a while ago, but always wanted to make a directors cut, if you will. For me, the fun part about shooting a story, is maintaining a sense of narrative throughout, so it feels like your going on a journey. To me that is the most powerful piece of story- telling, and reportage work is nothing if not that. There has to be a sense of experience, just like any good documentary film. And Ultimate Fighting is a great subject for that, whether your a fan or not, you have fighters on the fringe of making a name, and wearing their life and scars literally on their sleeves, for everyone to see. As a photographer, you cannot wish for any more than that.

Above is our recent shoot with former US Open Champion at Congressional, Ken Venturi, who won in 1964, in the current issue of Golf World Magazine. Ken was great to work with, and at 80, was quite happy to work through a number of different shots around his home in Palm Springs. In fact we just basically turned it into a photo studio. But he was cool with that, so i can’t argue. He has a fascinating story of how he fought massive heat stroke to win the title back in ’64. I guess they didn’t have tiny little water bottles in those days! And below current US Open Champion Graeme McDowell. We shot him a few years ago, when he was nothing but a wee lad. Look at him now, all growd up and winning majors!

Last month we did a fun shoot with former Secretary of State Condoleezza Rice, on the golf course, obviously! I have to say she was great to work with and quite malleable. I use that expression in terms of how open a subject is to ideas. Sometimes, with high profile people, you just never know. It can go either way. But i think after having been doing this for twenty years or so, that’s where the experience comes in. Knowing when and how to open your big mouth. This is in itself the art of portrait photography if you ask me. Anyway, the other personally gratifying aspect of this shoot, is that i was in effect backing up a personal photo- hero of mine, none other than the great Walter Iooss jr, who i believe was originally slated for this shoot. It feels great to be in such good company. You can read the full article here: http://www.golfdigest.com/magazine/2011-06/condoleeza-rice-interview

I’m pleased to announce our first collaboration with an online- only magazine, Wavelines from Nomad Editions, clearly signalling the ipad-ization of the publishing industry. I may be an idealist, but i’m also a pragmatic realist, and the ipad-istic magazine is the future my friends, whether you like it or not. Me, personally, yeah i love print, nothing is better than holding your published work in your hands. But let’s face it, the future is the digital press. To me there’s no question about it, and you just have to run the numbers yourself to figure it out. The other bonus of this project is i got to work with photo- editing rockstar Laurie Kratochvil, who surprised with an out of the blue call while checking into my hotel in New Orleans last week (where ironically enough, i was sans-wifi to view said online magazine).
The only problem with this format is over the past twenty years i’ve painstakingly managed to build an archive of most of the magazines my work has been published in ( the ones i know of at least), but how the heck do you archive a website?

Here’s a really nice shoot we did, in this weeks People magazine. A four page story about a family of race- horse trainers, who’s father was nearly killed by falling hay bails, and the family business had to taken over by his teenage son. The son went on to win his first race ever as a trainer, and is now a rising star in the horse racing business. On a personal note, i have to say the family were the nicest, most down to earth people you could find, and were very accommodating for our two day shoot, with a shooting schedule of early mornings and dusk. But the good news is…. i did learn how to rope a cow, cowboy style! Ok, so my cow was a wooden one, but still, it’s a start.